HAI DIS IS THE FIRST SONG ON MY BLOG!!!!!!!!!!!!!!!!!NJOY IT FRNDZZZZZZZZ:) yedhuta nilichindi chuudu from vaana film:)--NOTE : (7-12 means swing from 7 to 12,,,u can play all these tunes on 2nd string only) HERE WE GO:-------7 8 7 5 3 yedhuta nili------------ 3-7 7 8 7 chindi chuuduu---------------- 7 7-12 14 12 7 7-5 5-8 jalathaaru venneledoooo-----------------7 8 7 5 3 yedhanu thadi------------ 3-7 7 8 7 mindi chuudu---------------- 7 7-12 14 12 7 7-5 5-8 chinukanti chinnadedoooo-------5 5 4 5 5 5 ahaa yentha madhuraa------------ 5-4 4-8 8 7 yathanooooo------7-12 12 14 16 14 14-11 praanamantha meetuthuntaee 14 13 14 16 14-16 vaana veenalaaaaaa----------7 8 7 8 7 aa aa aa aa aa.
Simple Bass Line Progressions A bass line progression is a progression where the bass note of a chord (“the lowest note played in a chord”) is changing and following a predetermined or predictable pattern. There are two generic types of bass line chord progressions: ascending (the bass line goes higher in pitch) and descending (the bass line goes lower in pitch). The bass line progressions can be pictured as going up or down a small set of stairs. Root Note is Usually the Bass Note One thing to understand first, is when any chord is being played, it’s bass note (or lowest note) is the root note of the chord (unless we are told otherwise). Thus the bass note of a G chord, a Gsus, a Gm7, a Gdim, etc. is a “G” note. If we need to change the bass note of a G major chord to a B, for example, we would write it kind of like a fraction: G/B. We often call these “slash” chords. The Dm7 chord with a C note in the bass would be written ‘Dm7/C’. An A7 with a C# note in the bass would be w...
how is the song frnds
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