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Simple Bass Line Progressions A bass line progression is a progression where the bass note of a chord (“the lowest note played in a chord”) is changing and following a predetermined or predictable pattern. There are two generic types of bass line chord progressions: ascending (the bass line goes higher in pitch) and descending (the bass line goes lower in pitch). The bass line progressions can be pictured as going up or down a small set of stairs. Root Note is Usually the Bass Note One thing to understand first, is when any chord is being played, it’s bass note (or lowest note) is the root note of the chord (unless we are told otherwise). Thus the bass note of a G chord, a Gsus, a Gm7, a Gdim, etc. is a “G” note. If we need to change the bass note of a G major chord to a B, for example, we would write it kind of like a fraction: G/B. We often call these “slash” chords. The Dm7 chord with a C note in the bass would be written ‘Dm7/C’. An A7 with a C# note in the bass would be w...
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Isus – I – I2 – I This progression was made popular in the 70s in Barry Manilow’s song, “Can’t Smile Without You”. In it, the third note of a chord is altered by starting with the suspended 4th, then resolving to the major chord, then changing to a suspended second, and resolving again with the major chord. Try it in the following examples: Dsus-D-D2-D Listen to this progression in the key of D: Audio Player 00:00 00:00 Use Up/Down Arrow keys to increase or decrease volume. Asus-A-A2-A Listen to this progression in the key of A: Audio Player I – Imaj7 – I6 – Imaj7 Here’s an interesting progression found in a number of songs. Listen to Lee Brice’s song  Love Like Crazy to hear it (see Youtube video at the end of this post). The example in the key of G is G, Gmaj7, G6, Gmaj7 and then repeats: G-Gmaj7-G6-Gmaj7 Here’s perhaps a better sounding way to play this progression in the key of G: G Gmaj7 G6 Gmaj7 e:-3---x---3-...
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How to Use a Capo on Guitar   A capo is a device that clamps down across the guitar's fingerboard at a particular fret. Capos shorten the length of all the strings at the same time, creating, in effect, a new nut. All the “open” strings now play in higher pitches than they do without the capo. How much higher? A half step for each fret. If you place the capo at the third fret, for example, the open E strings become Gs (three half steps higher in pitch than E). All the strings become correspondingly higher in pitch as well — B becomes D; G becomes Bb; D becomes F; and A becomes C. You can’t play anything below the capo — only above it on the neck. Sometimes, engaging or disengaging a capo causes the strings to go out of tune. Remember to check your tuning and make any necessary adjustments whenever you attach or remove the capo. Using a capo to instantly change the key of a song Say that you know how to play “Farmer in the Dell” in the key of C and only in the key of C....
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