Skip to main content
By -

E Shape Barre Chords

Because barre chords are like creating a temporary capo with our index finger, this means we are playing a known chord with the rest of our fingers. The most common shape barre chord is the E Shape. Normally the E chord is played with fingers 1, 2, and 3 like this:
But we need to “free up” our index finger to use as a temporary capo, so we will use fingers 2, 3, and 4 like this:
Next we will slide our new E chord shape up one fret, then place our index finger across all strings in the FIRST fret. This will give us the major chord that is one half step higher than the E chord, the F chord. Below is how we play the F chord as an “E shape barre chord”.
F Barre Photo
We can take this same shape and ascend by one fret at a time, or half step increments. The pictures below show how the E shape barre chord in the 2nd, 3rd, 4th, and 5th frets create the F#, G, G# and A major chords respectively:
F#
G
G#
A
Any way we modify an E chord, we can modify the E shape, and alter the barre chord accordingly. By leaving off the finger on the third string, we change the E major to an Em. We can apply this to the E shape barre chords. Sometimes we will call this the “Em shape”. Look at the images below:
E Major
E Major
Em
Em
Fm
Fm (Em shape in the 1st fret)
Gm
Gm (Em shape in the 3rd fret)
Am
Am (Em shape in the 5th fret)

Comments

Post a Comment

Popular posts from this blog

By -
Image
Simple Bass Line Progressions A bass line progression is a progression where the bass note of a chord (“the lowest note played in a chord”) is changing and following a predetermined or predictable pattern. There are two generic types of bass line chord progressions: ascending (the bass line goes higher in pitch) and descending (the bass line goes lower in pitch). The bass line progressions can be pictured as going up or down a small set of stairs. Root Note is Usually the Bass Note One thing to understand first, is when any chord is being played, it’s bass note (or lowest note) is the root note of the chord (unless we are told otherwise). Thus the bass note of a G chord, a Gsus, a Gm7, a Gdim, etc. is a “G” note. If we need to change the bass note of a G major chord to a B, for example, we would write it kind of like a fraction: G/B. We often call these “slash” chords. The Dm7 chord with a C note in the bass would be written ‘Dm7/C’. An A7 with a C# note in the bass would be w
Read more
By -
Image
SO HOW TO FORM CHORDS FROM THE SCALES HOW TO CONVERT THEM,,HERE IS GUIDE ENJOY, Forming Chords From Scales Chords typically occur together in families. There are certain groups of chords that when used together, often sound good. The most common way of forming families of chords that sound good together is to form a set of chords from a scale. When you do this, you will have a number of chords that all belong to the same key. In this article, I’ll show you through how to form a family of chords from a scale. By understanding this, you will understand why certain chords work well together in a given key and be able to start to see these families of related chords being used in the music you learn. Lets start by forming triads (three note chords) from a major scale. To make things easy lets use C Major as our scale here. The notes of the C Major scale are as follows: C D E F G A B C Each of the notes of this scale can be used to build a chord on. In order to do this
Read more